Increasingly arson. Arson arms Johnson. Arson Jane Johnson. On death row
  for her latest torching. Indefinitely arson. Irremediably arson.
  Infinitely touching, this torching, this one true torching. Arson Jane
  sings a torch song at the foot of the flames, at the foot of the fifty-foot 
  flames.
Wigosaurus. Lost its hair early in its evolution, so took to wearing a
  wig, which it constructs out of the regurgitated hair of consumed
  mammals. Some are better than others -- I mean, some are really obvious.
  We were lucky to have found one of the better ones fossilized almost
  entirely intact. You could put it on a rhino today and nobody would even
  realize.
  The Invisible Collector
The internet and its vapor people
  Songs of a superb device
  vapouriser hissing
  an empty suit of armor masturbating
kiki and queequeg 
  audrey wonderland wells
  Blowing the guru
  Schooling the uncool guru
amateur eugenics
  songs of the spelling bees
  truck in your buick pants
  in the ruins of a Flamsteed Europa
and yet Bertrand
  hired the bad boys to teepee his house
  so he could look cool on the bandbus tonight
  poor hoods, they got carried away
  now it's burned down to the ground
  Evolution*
  * The searchstring which unites these pieces
This is why I reillusioned! Instead of sitting leg-splayed in an aureole
  of shattered illusion shards, holding jagged pieces of old illusions in
  my hands like some pisspoor humpty dumpty, I suddenly silently
  re-engaged my imagination and reillusioned. I suddenly had the gall
  to create new mythologies. This, as I later learned, is a signal stage
  in a person's evolution. This is where ontogeny recapitulates phylogeny.
---
Future humans will turn small, like the dinosaurs into birds. The better
  to utilize the earth and resources in the face of overpopulation --
  evolution favors the small. 
---
Hm, here's a revolutionary idea -- just write what I like to write and
  let it be read by those who like to read it? Wind em up and send em out
  and see what happens. Let them see to itself. What happens is usually
  best when I didn't expect it. 
Say, this is what I got, and let the world integrate it. Say, here, I've
  got little storylets. Not twisted them into twisted shapes. I have not
  bent them to make them add up to something. There are no sums in
  something. Sums have corners and inspire the existence of a counterfeit
  world of points and formulas. And whenever there are formulas, there are
  those who will abuse them. Alright? The English language is one vast
  formula! It is too easy to sell a promise unfulfilled. To set up an
  emotional puzzle, those with tools they don't know how to use, adding up
  to nothing. 
Better to be like natural phenomena, flash through the sky and tear
  wonder out of the heavens. Alright?
---
Thinking endlessly of what I'd like to do, what I should be doing. It
  troubles my woolgathering and naps. At the bottom of things is a jagged
  melange. I am living on an aeroplatform requiring constant attention to
  tend. I get suspicious of the gods of today. I worry I am wanted to
  expend some extraordinary energy which I do not have and have never
  wanted to expend. 
Since I won't throw my stone hat in with the rest of them, then I giss
  I'm devoted to writing silliness for children who are adults. Or trying
  to tease out the child is in you. It's all silliness for me, and
  arrested development and just some funness to while the hours away in
  stile. To unemphasize the dour and serious aspects of the world and
  declare my indepertinence from the bland, insecure, evolutionary rituals
  of the salesmen. 
To be mature children, not children of ritual. Not automatic adult
  children of rituals. Frankly, what is considered to be adult is just a
  series of interlocking childhoods. Independent thought is dead by ten.
  There's a reason why they're called "schools"...how else do you classify
  sardines?
---
  1972, and I don't know nothin'. I understand nothing. My days are spent
  playing. My days spent spelunking a cavernous universe I never made --
  we come into the universe we never made as rebels, defilers,
  iconoclasts. Adults, women, strangers, look down on us with their huge
  rolling sheepy eyes, daring us to kill them. They got seniority! They
  rightly fear us. They see the look in our ratty little eyes, the eyes of
  something one nudge up on the knowledge chain, one link up in the
  evolutionary scale. We've come to supplant them. Supplant em and then
  plant em. We've come to invent biotics and chemistries and psychic
  phenomena to not only kill them all, but to emp their electronic
  memories off the face of the earth. 
This is as it should be. Every new generation is a bulldozer on the old
  generation. Heavy machinery, to bulldoze the old generation into their
  mass graves. The evolution of heavy machinery. The Evolutikon. Step into
  the Evoluticon, my friends -- yuh spins the dial, yuh takes yuh chances!
  Yes, this is my morning! This fourth November Sunday -- jingling cold
  wind, fresh and cold, not a soul in the streets and only dry pine
  needles in the gutter, butterygold morning light syruped there, slanting
  in over the low apartment rooves, planing the palms and the pines,
  whispering the asphalt, brushing the steel, whistling a turn on the
  tender blacktop. Whistling in the trash and the asphalt. Even the clean
  dry trash on a November morning like this. To be warm inside, to hear
  the youth of the dog walkers, the tao of the dogwalkers and the electric
  rambling of the gate below, the quiet youth of the morning workers in
  pools of sun & comics, sporting in flannel sheets & bedclothes &
  heirlooms.
Warm heater air from above to soften my cold hands, pooling on my cool
  hands & clothes -- typing warms them up too -- how nice is it to hear
  the wind battling against the landmarks, buffetting the windows and
  walls, knowing inside I am warm and safe as soft dry toast. The cold is
  wind and inviting, yet it has blown away the clouds and the sky is
  unfettered blue, unlettered virgin blue, blue majolica...as D-503 would
  say in We.
It's a blue perfect for planes to penetrate. It is unspeckled by cloud,
  rose, windsprint, vortex, or rill! And the courtyard jingle the tiny
  bells, and the clinkers of cortex, and the sough turns to a roar, to a
  thunder, and only muffled thunder reaches our ears inside for it's good
  solid recent construction in a good solid recent neighborhood!
  Construction that satisfied the earthquakes and confounded the planners.
  A morning of soaring sound in the blue distances, roughing under the
  lower arbors -- through a space beneath the lowest branches, a green
  opening hung with shadows and peopled with only trunks, cars go by on
  the distant highway opposite the park.
  The robins are picking the wormsoaked earth. The robins are mincing on
  an early spring morning. Robins over a robotic earth. Quiet in the leafy
  sunshine, and the only movement is the movement of robots. What's
  happened to us?
  Look in that hatch when the robot opens it. See those pink things
  in a squirming, moist mass? Or, there, in the turned earth -- that
  elongated pink and wet thing's got smart eyes! He winks once before
  disappearing. And, those little chitinous things sucking excess grease
  off the housings? I swear that one looks like my Uncle Rob. 
  Robins in the bionic earth. Robots moving in the bionic earth.
  What's their destiny, their goal in life? There is none. To work until
  the end of time. There's planets like that all throughout the sky --
  stuck on nuclear autopilot until the end of time; until the end of the
  sun, which is time for each one of them.
  In a sense the sun is time. It's the giver and taker of time. The
  measurer of time, the initiator of time and the terminator of time. As
  its terminator swings round and round, granting its acquittals &
  reprieves.
---------
I have one of the finest collections of microscopic art in the world. 
  See this gray framed print? This has the equivalent of several
  hundred museums worth of art in it. Simply call up the viewer --
  extruding up from the floor with its brass armatures, arranging itself
  automatically at the correct distance, and voila!
  In this other room, my microscopic anemometer and other weather
  equipment -- in here, bicycles & velocipedes of all kinds -- in here,
  the kings & queens of england, etched in individual salt crystals.
  Words and logos heading sunward to die, just like Icarus. Words with wax
  wings flying higher and higher -- words, brainless, keep going though
  their wings melt. They don't know about physics, gravity, etc. Do words
  even know what freight they contain? Are they dumb train cars into which
  you could easily put either ingots or Jews? Is it all one to the words?
  Is it all won to the oerds?
Words in the sward. In the swale and the sward. Hiding in the
  sward. Heading swardward to hide! Heading sunward to die. Swarths
  and scythes in the sward. Swords and scythes, mowing the swale &
  sward today. Sowing the swale. Swains mowing a swath in the sward.
  Swarthy little swains with their swords and their scythes. Swarthy
  winnle swains. Swains and their sons.
Daedalus fashioned wax wings of words, which he fastened onto his son
  Jesus. Jesus, on wings of logos, floated upsun, wild on a wing in the
  sky -- aureole a go-go, dripping feathers on the upturned faces -- thing
  is, he didn't come down this time: he turned into a cruciform airplane
  in the sunset, flashing bronze fire off its riveted undercarriage. 
Flashing blonze flire
  The flier flashing fire
  Sunset from 2000 feet
  Bronze coins for my eyes
  We are linked by this exchange
  Pennies for my dead old eyes
  Resurrection seven o'clock
  Lucky pennies for you
  The finder of my body
A devil of a lover in the images. Details of a lover in the ingots.
  Polyglot in the ingots. Glossolalia among the ingots. There in the train
  cars, along with the jews, well-dressed and comfortable, shepherding
  their ingots to Prague to be melted down, melted down into a gun with a
  maw so large you can put a train car in it, which will be shot directly
  at Berlin -- Jew Force Eh'ad, ready to bring down Hitler with heavy
  metal! With traincars full of botulism, anthrax, plague!
Black plague for the Nazis! Didn't anybody think of that? Why
  didn't we drop bombs dipped in plague? 
Details of a lover in the ingots. A pretty balinese lady in the
  ingots. Lovers in a bikini review. A bikini revue. With your host:
  Dr. Goldfoot!
  Vacationlands
Jumpin jocks on the jive jingle clusters. On the frenary foundation
  clusters, the fundibliform jiggling testicles of the ivory freakshow
  features, out on the freakshore, the reekshore of the arcadian beach,
  there on the circular tonsure highways, the tonsure harmonies, the
  tonsure rotundas of gazebos and carousels and movie houses on down Old
  Orchard Beach in some ultimate mental Maine of the mind. 
The mind, that vast vacationland, endless with full running commentaries
  of the infinite imaginable things. 
The testicles of vacationland. The easticles of vacationland. The
  northern forests become quilted northern toilet paper. 
The husky frequencies. Huck finn in the final husky frequencies. The
  trick is, you see, to find something in the huskyfrequncies you can call
  your own. 
Something clutter a vacation you can comma your own. If it's just about
  using a song to randomize a swing, of putting together words who are new
  acquintances, then it should be brung. 
Standing camera. Clutter remora. Vacation vomma. Comma remova. Remora
  remova varinova. 
Clusters of vacation mommas, and their gigantic ballooning deep blue one
  pieces with the reinforced cups. Bathing cap, she surges in the pool.
  This is the motel pool at the end of a curvy slide in the city of Omaha,
  NE, in the year 1970.
  Wonder emerges from the wreckage of wreality, blinking like a mermaid in
  the low morning sun. refineries of vast distance, towers piercing the
  haze, long lightning rows of cars & children. Streaming out of the city.
  Toward the dropoff in the distance. In between the concrete rows, the
  oxygenated air smells silky and sweet. Down by the treadle of a grating,
  several indigents laugh and laugh. The indigents engineered this
  apocalypse. 
---
The engineers and salesmen lay in long slumped reclined rows down the
  concourse of masonry along the avenue. Many of them had bottles in paper
  bags, some of them were napping, with the charming spontaneity of the
  idiosyncratic, breaking the rules to nap in the middle of the day. Some
  of them dully watched the pidgeons clacking along the grimy pavement. 
Then, a commotion. From out of the building trailed a thin, long-haired
  man in a rich humanhair coat adorned of glorious silver bangles and
  pennants, and aswirl with sycophants and gadabouts. The salesmen,
  engineer and insurance bums rolled their dull and rheumy eyes toward the
  scene. If they hadn't been so pacific on laudanum beer, they might've
  been more animated -- as it was, this shift of their glance, in unison
  like a lot of dirty old radar dishes, was akin to a gasp of surprise:
A Poet!
Clinking around his neck, the medallion of the Order of Byron -- on his
  upper arm, the band and logo of Coleridge. Poet gangs fought each other
  depending on the placement of these colors and sigils. Pausing at the
  curb, the Poet calmly murdered each sycophant in turn, puncutating the
  grace and lipstick dispatch by wiping his blade on the pantsleg of the
  last to fall. Serenely, he climbed into his quixotewagon and pedaled off
  into the sky.
  unharnessed horses
  horses out of harness
  browsing in the grass
are the unharnessed horses worthless?
  Must they always be racing?
  Or ridden in war to annex our neigbhors?
  Must they be used in battle & conquest?
What if they'd rather run? Imagination wants to run, to run its long
  legs on the endless green hills. Horses race up the hill to witness the
  sunset, stand with their hair blowing in the blowzy breeze, and the sun
  is sinking below in a blended sky. Horses sniff the stars rising out of
  the deep sky, and wink at the windows of the bluffs below. 
The sun is blended in the sky.
  Something's blended in the sky
  Horses blended in the sky
  The pharoahs of the sky
  Huge ramparts of the sun
  Their sunny monuments
  Oyzmandias' monuments
  Form and bloom in the western sky
Ptah holds out his hand
  Aten blossoms forth
  Amun smiles and grins
  Hidden in the gloom of noon
  How many sacrifices to the pharoahs
  Immured at noon
  Like a moon immured
  in a pyramid beneath the earth
  The cold warriors and the cord warriors
Softly decomposing under the old cold stars 
  This arid metropolis
  In the gloom of a progressive moon
  In the year eight thousand and twelve
  There are men here who only want to play guitar
  They are travelers from something called Seventies
  They've arrived here in skins from the Seventies
  They summon the atlas of seventies
  Several are arguing loudly
  Whatever it is, it is settled with music
Mostly the soviet seventies
  Haunted by nuclear subs
  Haunted by huge colors and bugs
  Haunted by smog and by paisley
Strewn with nuclear subs
  Cosmonauts listening to Elvis
  Communities summoning elders
  To visit and listen to elvis
  The vanity of summoning Elvis
  Summoning devils or elvis
The cold ankhs of decomposing warriors
  the cold angst of egyptian summers
  several summers in Egypt
  resemble the seventies summers
  I have taken Ipecac. I have eaten the Ipecac pie and purged myself of
  the clever writing. My feeling is if you find yourself writing something
  overly clever, do your laughing and prideful wriggling -- then burn it.
  Godsake, don't inflict your cleverness on the world! We are all awash
  and going down in a flood of cleverness. The linchpin of web culture is
  cleverness, clever prose & comics and snark observations, interspersed
  with pie-eyed activism & callow agitprop. This is, of course, as it must
  be when you empower the public to publish. It's Gutenberg gone riot; the
  aged printer is spinning in his agitated grave.
(A system of power generation on the table in California:
  attaching turbines to the buried corpses of public figures of all
  kinds, then employing graveside debasers to continually insult
  their memories.)
I trend toward the functional, though I continually manufacture pretty
  bouquets. I like crops, I feel drawn to crops, and well-managed rotation
  systems, cross-plowing and other ingenious inventions, hybridic &
  genetic engineering technologies, and so forth. I love flowers and
  functionless beauties, and the arrangement of ferns in a sward, but then
  I think of the hungry mouths, mine own included, and my thoughts turn to
  crops and what moon to plant in, and the only farms I've known.